Set a frequency, then press Play
Start quiet — high frequencies and square waves sound louder than they measure.
Free online tone generator in your browser — dial any frequency from 20 Hz to 20 kHz, switch between sine, square, sawtooth and triangle waves, play white, pink or brown noise, or jump to musical notes C4–C5 with A4 440 Hz as tuning reference. Every sound is synthesized locally on your device: nothing is streamed, nothing leaves your browser.
Set a frequency, then press Play
Start quiet — high frequencies and square waves sound louder than they measure.
Bright hiss · masking & focus
Logarithmic · 20 seconds
TestMyGears covers the full tone-generator search journey: sine wave generator for pure test tones, square and sawtooth waves for harmonic-rich checks, note-to-frequency presets for tuning without an app, and white, pink and brown noise for speaker break-in, masking and room checks. Browser synthesis cannot replace a calibrated lab generator — but it validates exactly what your DAC, amp and drivers reproduce, with zero latency and full privacy.
Four steps from silence to a verified tone, noise bed or full sweep.
Drag the log slider, type an exact Hz value, tap a quick chip (100, 440, 1k, 4k, 10k) or pick a note preset — A4 lands exactly on the 440 Hz tuning reference.
Tip Below ~120 Hz most phone and laptop speakers roll off — silence there usually means small drivers, not a broken test
Sine for pure tones, square/sawtooth/triangle for harmonic character, or switch to the noise tab for white, pink or brown broadband. Tone, noise and sweep are mutually exclusive so outputs never stack.
Tip Square and sawtooth sound louder than sine at the same level — drop volume before switching waveforms
Start around 25% and raise gradually. The tool defaults to a conservative level because high frequencies and harmonically rich waves carry more perceived loudness than the slider suggests.
Tip If you test speakers others can hear, warn the room before the sweep — 20 kHz endings surprise people
Press Play Tone for a steady frequency, Play Noise for continuous broadband, or Start 20s Sweep for the full 20 Hz–20 kHz pass. Press again (or switch tabs) to stop cleanly.
Tip Sweep twice: once quiet for rattles, once at normal level for drop-outs — different faults show at different levels
Practical moments where a precise, locally generated tone beats guessing.
Sine is a pure single frequency with no harmonics — best for hearing tests and resonance checks. Square contains only odd harmonics and sounds buzzy and hollow. Sawtooth contains all harmonics and sounds bright and sharp. Triangle also has only odd harmonics but they fall off fast, so it sounds mellow and flute-like. Same frequency, four timbres.
White noise has equal energy per Hz and sounds like bright hiss. Pink noise drops 3 dB per octave so it sounds balanced and natural — the standard choice for speaker break-in and room tuning. Brown noise drops even harder and sounds like deep rumble or a waterfall. Pink suits most testing; white suits masking high hiss; brown suits low rumble checks.
Humans nominally hear 20 Hz–20 kHz, but small phone and laptop drivers physically roll off below roughly 80–120 Hz, and hearing above ~15–17 kHz fades with age even on good headphones. If lows vanish on speakers but appear on headphones, the drivers are the limit — not the tool. If highs vanish everywhere, that is normal presbycusis, not a bug.
Yes. Tap A4 for the 440 Hz concert-pitch reference and tune your A string (or A key) to match it by ear, then use the other C4–C5 presets across the octave. It is a reference-tone method rather than an automatic pitch detector — quiet room and patience give the best result.
Locally. Every tone and noise buffer is synthesized in your browser with the Web Audio API the moment you press play — nothing is downloaded, streamed or uploaded. That means zero network latency, it works offline once loaded, and no audio data ever leaves your device.
At sane volumes, no. Risk comes from sustained maximum volume, especially sub-bass sine tones on small drivers and sudden high-frequency bursts in headphones. This tool defaults to ~25% volume for that reason: start quiet, raise gradually, and never run the sweep at full blast on laptop or phone speakers.
A4 440 Hz is the international standard concert pitch — the A above middle C vibrates at 440 cycles per second, and orchestras, tuners and instruments worldwide calibrate to it. This tool's A4 preset plays exactly 440 Hz, so anything tuned against it matches standard pitch.
Fixed tones isolate one frequency: ideal for tuning, tinnitus matching, rattle hunting at a known Hz, or long break-in sessions. The 20-second sweep covers 20 Hz–20 kHz in one pass: ideal for finding unknown problems — dead treble, rattling panels, room resonances — fast. Sweep first to find issues, then park a fixed tone on each suspect frequency.
The textbook range is 20 Hz to 20 kHz. In practice, healthy young ears on good headphones reach roughly that span; bass below ~30 Hz is felt more than heard, and treble above ~16 kHz fades progressively with age. Most music lives between 40 Hz and 15 kHz, which is why this tool's sweep covers the full 20 Hz–20 kHz span.